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#TV PILOT SCRIPT HOW TO#
#TV PILOT SCRIPT TV#

JEFF …moral support… (Takes out schedule) …every answer to every test for every one of the classes that I’m taking, uh, here’s my schedule- DUNCAN No.

JEFF Yes! And I am hoping that our friendship will yield certain advantages. DUNCAN Well, you’ve picked a fine school. (DUNCAN grimaces) And it can’t be an email attachment. DUNCAN Well I thought you had a Bachelors from Columbia? JEFF Now I have to get one from America. Uh, they found out my college degree was… less than legitimate. The- the state bar has suspended my license. DUNCAN (After a brief pause) Well that cannot be an inspiring journey. DUNCAN So what is my lawyer doing here? JEFF I’m a student. JEFF Well, two thousand and two was a simpler time. I still cannot figure out how you got a jury to connect September the eleventh with my DUI. DUNCAN Jeff Winger! Genius at law! JEFF (Shaking hands and grinning) You gotta stop saying that! DUNCAN I will never do that. JEFF If these guys knew you like I did, they would’ve given you a small office. DUNCAN’S OFFICE – DAY DUNCAN, a British professor with horrible teeth, is sitting at his desk playing with a Rubik’s cube. (Leaves) ABED That’s the nicest thing anyone’s ever said to me. (Shakes his hand again) I see your value now. Oh and she thinks she’s gonna flunk tomorrow’s test so she really needs to focus, so she’s sorry if that makes her seem cold. ABED Well, I only talked to her once while she was borrowing a pencil, but… her name is Britta, she’s twenty eight, birthday in October, she has two older brothers and one of them works with children who have a disorder I might wanna look up. JEFF What’s the deal with the hot girl from Spanish class? I can’t find a road in there. Can we all look around our immediate areas? Because I really wanted to… Okay, there’s more to this speech, there’s actually a middle card that is missing. PELTON pauses, then checks his cue cards. (Zoom on PIERCE) That’s what you’ve heard, however… (Changes cards) …I wish you luck! Everyone just stares at him. (Zoom on SHIRLEY) And old people, keeping their minds active as they circle the drain of eternity. (Zoom on TROY) Twenty-something dropouts. You’ve heard it’s loser college for remedial teens. (Reads from cue cards) What is community college? Well, you’ve heard all kinds of things. (Turns back to the podium) Uh, good morning! Uh, many of you are half way through your first week here at Greendale, and, uh, as your Dean… (Bows) …I thought I would share a few thoughts of wisdom and inspiration. All sales are final.The seated adults get up to help and they eventually manage to shut it off. The Writers Store does not offer any refunds for the webinar.

#TV PILOT SCRIPT HOW TO#

Writers who want to learn how to tell and sell their story.

Writers who want to learn the elements of a pitch document.

Writers who want to use a pilot worksheet to set the foundation of their pilot.

Writers who want to make their audience feel their story.

Writers who want to create a powerful dilemma and a strong goal stemming from the dilemma.

Writers who want to learn how to create empathy for the central character.Writers who want to learn the story components of the one-hour drama and the half hour sitcom.

#TV PILOT SCRIPT TV#

Seasoned writers, as well as new TV writers, in drama and comedy.

The elements of the pitch document and how to tell and sell your story.

How to set the foundation of a TV pilot using a pilot worksheet.

How to use your voice in your story as a way to get your spec/pilot to the top of the stack.

Theme, symbolism, and message and how to make your audience FEEL your story.

How to write a memorable mid-point and all is lost moment that connect back to the goal.

How to create a powerful dilemma and a strong goal stemming from the dilemma.

How to create empathy for your central character.

It all comes down to how you tell and sell your story! This class will give you the story and career tips that will guide you to your success. You will learn the tools needed both on the page and in the room to get your script sold. Using her experience in staffing over 15 primetime shows, Jen Grisanti will reveal secrets from the executive side and guide you to use your voice in your story as a way to help your TV spec/pilot scripts rise to the top of the stack. In this live webinar, Jen Grisanti will go over all the story components for telling and selling the one-hour drama and half hour sitcom stories. Understanding what producers and executives are looking for in a TV pilot script will help participants to be ten steps ahead.